The Subject is Shells

June 26, 2018

New day on Evangeline. As I walk into my kitchen in search of coffee I notice an arrangement on the wall. Who put that there?? How lovely!

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Some long ago “I” made that shadow box. Here we have a clue to one woman’s mind. Evidently she likes to curate creation.

It cannot be said enough: ‘The art of life is to blur the line between work and play.’

Well then! One day on Evangeline I find myself supervising some repair project or other.  Housebound.  Time passes.  More time passes…

Flash of inspiration!  Out come the shells.  Out comes the shadowbox, bought for the shells, for that elusive day when things ‘ease up a bit.’  That day is here!  Go find the ruler, and the glue!

Oh precious work of creation. Sun in the middle, angel wings, ‘macaroni’ for interest. And how do you like the plaid? Some Creator, yes? Seems God likes pizzazz.

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Later, the shells attract more beauty:  card from Brenda, angel from Kate. And here it all is, prepared by me, to bless some future ‘me’ and precious others on Evangeline.

I hearken back to another day, on Deauville Beach, in Delaware. This was, oh, nine years ago. There I was with Janice and Brenda, three ladies of a certain age, reposing on beach chairs.  Sea breeze, sun on our heads. Our hearts were full, for sure.  Someone should capture this moment, put it in a shadow box!  One joy I did capture was a mother and child, at water’s edge:

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Is that holy, or what?? But wait, there’s more.

I may have mentioned ‘ladies of a certain age.’   I don’t know why people, especially women, are so coy. In 2009 I was 55. There!

55 is a respectable age, a reasonable speed limit. Settled and sedate, less fleet of foot than we used to be, yes?  All the more remarkable what happened next.

Others were on the beach, younger, keener of eye. But it was I who saw the Miracle come tumbling out of the waves. Small form, growing larger.  I was transfixed, beyond speech. Why does no one see?  Is this moment really mine?

The Miracle leapt it sparkled it gleamed it rolled ever closer, seeming to say: “I am yours. Come and get me, my darling. If you want me.” Having spoken, it drew back, skittered back from whence it came. “I’m leaving now.  Come and get me. If you can!”

I was up like a shot, running like the girl I used to be, running to claim my prize.

‘Oh, be swift my soul to answer him; be jubilant my feet! Our God is marching on.’

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drying,  on a Delaware porch

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at home, in Southeast Texas

 

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